After seven centuries of occupation, the capture of Granada by the Catholic Monarchs in 1492 marked the end of Muslim rule in the Iberian Peninsula. King Ferdinand and Queen Isabella wanted Granada to become the symbol of their victory and planned several constructions to "christianize" the city.
As was done in many other reconquered cities in Spain, the monarchs decided to build a cathedral over the old Great Mosque of Granada. This new Catholic cathedral would become a strong symbol of the dominance of the victorious Christian monarchs over the defeated Muslims.
After reconquering the Spanish Peninsula, the monarchs wanted to forever be remembered for their momentous achievement. So in addition to constructing a grandiose Gothic cathedral, they decided to built a Royal Chapel within the cathedral where their tombs could be displayed.
This has secured their legacy even to today, as the cathedral and chapel are two of the most visited attractions in all of Granada. However, after the sudden death of Queen Isabella in 1504, it was decided to start building the Royal Chapel first to house her remains.
Once the Royal Chapel was completed, work on the rest of the cathedral began. The architect and sculptor Enrique Egas was responsible for designing a Gothic style temple based on the cathedral of his hometown, Toledo. Work began with the laying of the first stone in 1523.
In 1529, the architect and sculptor Diego de Siloé replaced Egas at the helm of the project. Siloé had studied in Italy and was a proponent of the Renaissance style. Because of this, he wanted to change the design of the cathedral from Gothic in to the new in vogue style. However, this was no easy task.
First, he had to convince Charles V. For the king, it was important to comply with the wishes of his grandparents, the Catholic Monarchs, who wanted their remains to rest in a Gothic temple. Charles V was eventually persuaded and even ended up becoming a great fan of the Renaissance style. Proof of this is the Christian palace of the Alhambra, also known as the Palace of Charles V.
There were also certain structural limitations that were faced when they tried to convert the cathedral from Gothic to Renaissance since the foundations of the cathedral had already been laid.
But Siloé managed to find a way around this problem and dedicated the rest of his life to the construction of the Granada Cathedral. The building has since become one of the crowning works of the Renaissance in Spain.
After Siloé's death in 1563, his protege Juan de Maeda continued the work. However, during the reign of Philip II (1556-1598), Granada began to lose its importance as a city. As a result, work on the cathedral slowed down.
In 1664, work began on the main façade, under the direction of the painter, sculptor and architect Alonso Cano. The abundant decoration and Baroque elements of the cathedral’s façade are a stark contrast to the solemn interior.
Cano was also responsible for the construction of the two monumental towers of more than 80 m (260 ft) high that had been planned by Siloé. After only two thirds of the right tower had been built, there were already multiple collapses which killed several workers.
The accidents, along with the face that Granada suffers from frequent earthquakes, caused the king to stop the construction. This is the reason why the cathedral only has one tower that is 57 meters (187 ft) tall.
Finally, the Granada Cathedral was completed in 1704, after 181 years of construction.